Quotes from James Bay


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Growing up in Hitchin was comfortable and easy enough. My parents had some great records - and some not-so-great ones - and that's where I got introduced to Motown and the Stones and Springsteen.


I'm very close in age to my older brother, and we had a field at the end of the road where we could run around, climb trees, play football.


It's bad to be labeled just another singer-songwriter.


My songwriting process is painful. Songwriting is brilliant. It's a load of fun - when it works. It's really difficult as well.


Some of my songs are about the feeling you belong somewhere else. But there's also something grounding about coming from a small town.


The thing about 'Hold Back The River' that I like is that it's a good starting place, and it was the perfect first single.


There should be an element of mystique between the fans and the artist. That bit between the stage and the audience. I think that's necessary.


When I was 15, if anything, I thought I was going to be a Delta bluesman, which is so ridiculous.


Both Springsteen and Michael Jackson, who had these huge productions, could always scale them back down to just a song and a melody. All of that influences me. I also try to be a fictional writer, and sometimes I get close, but the things that resonate the most with me - and with everyone else - is what's real.


I used to dress up like Michael Jackson. I didn't have the glove, but I had a red jacket like in 'Thriller.'


I bought a guitar CD-ROM because we had a new computer, but I had no attention span for that. I spent about three hours on it desperate to be brilliant. Eventually, I got some proper lessons.


My family quite innocently don't understand the ins and outs of it all, but they see things like the Burberry show and the Live Lounge, so they understand the gravity of those things, but they're proud - it's cool.


My songwriting process, and maybe loads of other people's, is just this sort of smashing together of emotions and stuff to make some music. It's kind of simple and really complex at the same time and, as you can see, incredibly hard to explain.


The Internet is the Wild West of the world, where anybody can throw anything down. Everything can be as relevant as the next thing; it doesn't matter who posts it. In that environment, the Critics' Choice is still very important.


There was a guitar that my uncle owned and never learnt to play. He sold it to my dad, and when I heard 'Layla', that was the tune that really grabbed me. I said to my dad, 'Wait, there's a guitar, right?'


Up until the last minute, it was art and drawing for me. That was the first real and natural thing I thought I was good at and loved to do. But I developed a similar kind of love for music.


When I was 16, I spent a year pushing trollies around a car park, and that wasn't fun. I didn't love working in a supermarket; it wasn't for me. It is for some people, and that's totally cool.


When I'm writing, I need to amplify my thoughts and feelings on just a conversation that I might have had with somebody - somebody close to me. It's often the case that the people closest to me are the people on my mind the most.


I hope to have a long career, and I don't want to be defined by things that aren't the music.


To drive though the streets of Manhattan to sign a record deal was like a movie. It was crazy - pretty hard to put into words.