You sit at your computer for hours, then slave away at your job that you may or may not like. You don't know how to explain to them that the time when you feel alive or present is when you are writing.
Write a story a great writer would write. Because part of becoming an artist is pushing through all the disbelief of those around you, deciding that you are a writer when you have no idea what a plot is or whether what you've written is any good, or anything.
When I wrote my stories in elementary school, I signed them all 'Karen E. Bender' with the squiggly 'E.' I wanted, from an early age, to be a writer, and that name - that E - was a way of pretending I knew how to do it.
The word inventors have to create a new term to describe how I felt when I learned that 'Refund' was on the shortlist for the Frank O'Connor International Story prize - Excited, thrilled, honored, none of them quite do it.
My second novel began after my family moved from New York City to North Carolina, and I watched my son walk into kindergarten at a school in which he was the only Jewish child out of 600 students - and this in the middle of the Bible Belt.
Giving shape to a painful experience is powerful because it helps us to see, first, how we got through it; second, how we can share it. The experience doesn't stay trapped within us, unspoken, curdling - instead, the art of arranging and transforming it reduces the burden. It no longer belongs to only you.
Don't go into any store that features shopping bags that can stand on their own accord in the middle of a table. This sort of shopping bag denotes prices that will start chipping into your children's college education fund. Avoid it.
At one point, I had a story accepted at the 'New Yorker,' which sent off weird bells in people when I told them - 'Oh,' they thought, 'now you are a writer' - where I really had been for the last 30-odd years.
